[{"data":1,"prerenderedAt":983},["ShallowReactive",2],{"learn-concept-/zh/learn/document-visual-language":3},{"id":4,"title":5,"body":6,"cardImage":911,"cardImageAlt":912,"date":913,"description":914,"domain":915,"domainKey":916,"extension":917,"featured":918,"fullName":919,"interaction":920,"maturity":921,"mentalModel":922,"meta":923,"navigation":924,"neighbors":925,"ogImage":954,"path":955,"published":924,"robots":954,"seo":956,"shortName":5,"sitemap":957,"socialImage":958,"socialImageAlt":959,"sources":960,"stem":976,"tags":977,"translationKey":920,"updated":981,"__hash__":982},"learnZh/zh/learn/document-visual-language.md","文档视觉语言",{"type":7,"value":8,"toc":882},"minimal",[9,13,26,29,39,42,46,49,52,55,58,136,139,142,145,150,153,156,160,163,174,177,181,184,188,191,221,224,228,231,234,251,254,257,260,263,339,342,347,350,353,509,512,516,519,522,530,533,575,578,592,595,618,621,635,638,642,659,663,680,683,721,724,727,765,768,789,792,812,815],[10,11,12],"p",{},"Artificial Intelligence（AI，人工智能）已经可以在几秒内生成 Portable Document Format（PDF，便携式文档格式）报告、提案、手册和学习材料。真正困难的部分经常在生成之后才出现：",[14,15,16,20,23],"ul",{},[17,18,19],"li",{},"再专业一点。",[17,21,22],{},"保持温暖，但不要显得随意。",[17,24,25],{},"要有编辑感，又不能失去分析报告的清晰。",[10,27,28],{},"这些反馈包含判断，却没有包含指令。设计师、开发者或模型仍然要猜：到底应该改字体、网格、密度、颜色，还是某个组件？",[30,31,32],"blockquote",{},[10,33,34,38],{},[35,36,37],"strong",{},"术语说明："," “Document Visual Language（文档视觉语言）”是本文使用的工作性总称，并非正式标准。下面的模型采用设计系统中已有的概念——主题、设计 Token、样式、组件、模式与无障碍准则——并明确标注所有本站教学工具。Design Tokens Community Group 的 2025.10 格式已经稳定并面向实现，但其状态页明确说明它不是 W3C Standard。",[10,40,41],{},"这篇文章真正要回答的是：怎样把文档意图翻译成可重复的主题、Token、组件、模式与评审准则？",[43,44,45],"h2",{"id":45},"房间名字不是施工图",[10,47,48],{},"室内设计师可以把两个房间方案叫作 Alder 和 Granite。",[10,50,51],{},"Alder 让人想到木材、自然光、柔软材料和温暖；Granite 让人想到石材、秩序、重量和冷静。这样的名字很适合选择：容易记，也能让人迅速表达偏好。",[10,53,54],{},"施工团队仍然需要平面图、尺寸、材料、灯光色温和验收标准。“再 Granite 一点”不足以把同一个房间做两次。",[10,56,57],{},"文档主题也是一样：",[59,60,61,77],"table",{},[62,63,64],"thead",{},[65,66,67,71,74],"tr",{},[68,69,70],"th",{},"层级",[68,72,73],{},"房间类比",[68,75,76],{},"文档对应物",[78,79,80,92,103,114,125],"tbody",{},[65,81,82,86,89],{},[83,84,85],"td",{},"Theme（主题）",[83,87,88],{},"容易记住的房间名字",[83,90,91],{},"Alder 或 Granite",[65,93,94,97,100],{},[83,95,96],{},"Design tradition（设计传统）",[83,98,99],{},"历史参考",[83,101,102],{},"International Typographic Style 或 New Typography",[65,104,105,108,111],{},[83,106,107],{},"Design practice（设计实践）",[83,109,110],{},"专业领域",[83,112,113],{},"Editorial design 或 Information design",[65,115,116,119,122],{},[83,117,118],{},"Design tokens（设计 Token）",[83,120,121],{},"材料清单",[83,123,124],{},"命名过的颜色、尺寸、字体角色和间距",[65,126,127,130,133],{},[83,128,129],{},"Components + patterns（组件与模式）",[83,131,132],{},"安装细节",[83,134,135],{},"表格、引用、警告、页眉和页脚",[10,137,138],{},"诗意命名负责形成意象；系统定义负责让意象稳定落地。",[43,140,141],{"id":141},"一套五步教学顺序",[10,143,144],{},"这套顺序是本文的工作模型，并非正式分类标准。",[146,147,149],"h3",{"id":148},"_1-document-purpose-文档目的读者需要得到什么结果","1. Document purpose · 文档目的：读者需要得到什么结果？",[10,151,152],{},"长篇文章支持连续阅读；分析报告支持扫描、比较和回查证据；操作手册支持在压力下准确行动；提案支持做出决定。",[10,154,155],{},"目的必须先确定，因为审美偏好不能压过文档真正要完成的工作。OASIS DITA 为技术内容定义了 concept、task、reference 等信息类型；报告、提案、手册与长文只是本模拟器更宽泛的实用示例，并不是 DITA 分类。",[146,157,159],{"id":158},"_2-historical-design-tradition-历史设计传统我们借用哪个有记录的来源","2. Historical design tradition · 历史设计传统：我们借用哪个有记录的来源？",[10,161,162],{},"历史设计传统指可以追溯的来源：",[14,164,165,168,171],{},[17,166,167],{},"Swiss Style / International Typographic Style（瑞士风格 / 国际字体排印风格）使用严格网格、无衬线字体、非对称布局与摄影；",[17,169,170],{},"New Typography（新字体排印）把页面视为非对称文字与图像关系组成的场；",[17,172,173],{},"Classical Book Typography（古典书籍排版）围绕连续阅读安排比例、页边距和安静的文字颜色。",[10,175,176],{},"传统提供参考与关系，但不是模板按钮；模拟器里的结果也不是权威历史复刻。",[146,178,180],{"id":179},"_3-design-practice-设计实践由哪个已有专业领域指导工作","3. Design practice · 设计实践：由哪个已有专业领域指导工作？",[10,182,183],{},"Editorial design（编辑设计）、Information design（信息设计）、Technical communication（技术传播）、Book design（书籍设计）与 Minimalist graphic design（极简平面设计）都是可以识别的领域或实践。它们比主题更宽泛，也不构成一套全球统一分类法。",[146,185,187],{"id":186},"_4-theme-主题用什么名字识别这次实现","4. Theme · 主题：用什么名字识别这次实现？",[10,189,190],{},"主题预设把一次具体实现包装起来：",[59,192,193,203],{},[62,194,195],{},[65,196,197,200],{},[68,198,199],{},"主题",[68,201,202],{},"这套系统里的明确映射",[78,204,205,213],{},[65,206,207,210],{},[83,208,209],{},"Alder",[83,211,212],{},"Classical book typography + Editorial design",[65,214,215,218],{},[83,216,217],{},"Granite",[83,219,220],{},"International Typographic Style + Information design",[10,222,223],{},"这个映射是工作解释，不是行业标准。另一个产品完全可以用同样的名字得到不同结果。",[146,225,227],{"id":226},"_5-design-tokenscomponents-与-patterns怎样保持一致","5. Design tokens、components 与 patterns：怎样保持一致？",[10,229,230],{},"Design Token 保存精确数值，例如主文字颜色、纸张色、标题字体、正文字号、章节间距或分隔线粗细。",[10,232,233],{},"组件封装可复用部分；模式说明怎样为反复出现的需要组合这些部分。本站的组件规则保存文档特有的关系：",[14,235,236,239,242,245,248],{},[17,237,238],{},"表格什么时候允许使用底色？",[17,240,241],{},"引用和警告怎样区分？",[17,243,244],{},"图片是满版、裁切，还是进入网格？",[17,246,247],{},"数据页是否允许比叙事页更密？",[17,249,250],{},"来源、页码、页眉和页脚放在哪里？",[10,252,253],{},"Token 保存命名过的数值，组件与模式保存可重复行为。一套工作中的文档系统两者都需要。",[43,255,256],{"id":256},"四条坐标轴让审美可以讨论",[10,258,259],{},"Temperature、Geometry、Density、Expression 是本文的评审控制，并不是标准化的设计系统坐标轴；0–100 也不是测量值。它们只用于明确方向与相对强度。",[10,261,262],{},"形容词加上方向和强度以后，才更容易执行：",[59,264,265,281],{},[62,266,267],{},[65,268,269,272,275,278],{},[68,270,271],{},"坐标轴",[68,273,274],{},"左侧",[68,276,277],{},"右侧",[68,279,280],{},"常见控制项",[78,282,283,297,311,325],{},[65,284,285,288,291,294],{},[83,286,287],{},"Temperature（温度）",[83,289,290],{},"Warm 温暖",[83,292,293],{},"Cool 冷静",[83,295,296],{},"纸张色、配色、字体性格、图像光线",[65,298,299,302,305,308],{},[83,300,301],{},"Geometry（几何）",[83,303,304],{},"Soft 柔和",[83,306,307],{},"Hard 硬朗",[83,309,310],{},"圆角、线条、字重、形状、边界",[65,312,313,316,319,322],{},[83,314,315],{},"Density（密度）",[83,317,318],{},"Sparse 疏朗",[83,320,321],{},"Dense 紧凑",[83,323,324],{},"字号、行长、留白、分栏、表格节奏",[65,326,327,330,333,336],{},[83,328,329],{},"Expression（表现力）",[83,331,332],{},"Restrained 克制",[83,334,335],{},"Expressive 强表达",[83,337,338],{},"字号跨度、颜色数量、图片比例、构图变化",[10,340,341],{},"与其说“做得更高级”，不如说：",[30,343,344],{},[10,345,346],{},"保留冷静温度和硬朗几何，把密度从 70 降到 50，把表现力从 25 提到 40；拉开标题层级，但仍然只用一个强调色。",[10,348,349],{},"审美判断仍然存在，但下一版已经有了方向。",[43,351,352],{"id":352},"一套标明证据身份的词汇",[59,354,355,371],{},[62,356,357],{},[65,358,359,362,365,368],{},[68,360,361],{},"名称",[68,363,364],{},"证据标签",[68,366,367],{},"常见语境",[68,369,370],{},"常见失败",[78,372,373,387,400,414,428,442,456,470,483,496],{},[65,374,375,378,381,384],{},[83,376,377],{},"International Typographic Style",[83,379,380],{},"历史传统",[83,382,383],{},"信息报告、机构、多语言材料",[83,385,386],{},"只换 Helvetica，没有网格纪律",[65,388,389,392,394,397],{},[83,390,391],{},"New Typography",[83,393,380],{},[83,395,396],{},"海报、封面、展览、宣言",[83,398,399],{},"每一页都很戏剧化",[65,401,402,405,408,411],{},[83,403,404],{},"Bauhaus typography",[83,406,407],{},"机构设计遗产",[83,409,410],{},"展览、文化出版、几何信息设计",[83,412,413],{},"把原色和圆形当成外观服装",[65,415,416,419,422,425],{},[83,417,418],{},"Art Deco",[83,420,421],{},"历史运动",[83,423,424],{},"酒店、建筑、封面、活动材料",[83,426,427],{},"装饰压过信息层级",[65,429,430,433,436,439],{},[83,431,432],{},"Art Nouveau",[83,434,435],{},"国际历史风格",[83,437,438],{},"文化、植物、手工艺与遗产叙事",[83,440,441],{},"装饰曲线损害可读性",[65,443,444,447,450,453],{},[83,445,446],{},"Classical book typography",[83,448,449],{},"字体排印传统",[83,451,452],{},"长文、历史、政策、文学",[83,454,455],{},"小字和假古董装饰",[65,457,458,461,464,467],{},[83,459,460],{},"Editorial design",[83,462,463],{},"专业实践",[83,465,466],{},"杂志、年报、品牌叙事",[83,468,469],{},"把随机版式当成节奏",[65,471,472,475,477,480],{},[83,473,474],{},"Information design",[83,476,463],{},[83,478,479],{},"报告、公共信息、复杂比较",[83,481,482],{},"全部正确，却毫无记忆点",[65,484,485,488,490,493],{},[83,486,487],{},"Technical communication",[83,489,110],{},[83,491,492],{},"规范、审计、手册、研究记录",[83,494,495],{},"把高密度当成专业",[65,497,498,501,503,506],{},[83,499,500],{},"Minimalist graphic design",[83,502,463],{},[83,504,505],{},"产品 brief、作品集、聚焦型报告",[83,507,508],{},"把空白误认为层级",[10,510,511],{},"这些词仍然在做不同的事情：历史传统提供来源，专业实践描述工作领域，Alder 与 Granite 则始终是产品内部主题名。",[43,513,515],{"id":514},"把-granite-编译成真正的设计-brief","把 Granite 编译成真正的设计 brief",[10,517,518],{},"假设任务是一份 24 页的季度运营报告。",[146,520,521],{"id":521},"沟通意图",[14,523,524,527],{},[17,525,526],{},"读者感受：稳定、可信、已经过审查；",[17,528,529],{},"读者动作：先读执行摘要，再扫描指标，最后回查证据。",[146,531,532],{"id":532},"设计上下文",[59,534,535,544],{},[62,536,537],{},[65,538,539,541],{},[68,540,70],{},[68,542,543],{},"决定",[78,545,546,554,561,568],{},[65,547,548,551],{},[83,549,550],{},"Purpose",[83,552,553],{},"Analytical report（分析报告）",[65,555,556,559],{},[83,557,558],{},"Tradition",[83,560,377],{},[65,562,563,566],{},[83,564,565],{},"Practice",[83,567,474],{},[65,569,570,573],{},[83,571,572],{},"Theme",[83,574,217],{},[146,576,577],{"id":577},"风格坐标",[14,579,580,583,586,589],{},[17,581,582],{},"Temperature：78% cool",[17,584,585],{},"Geometry：72% hard",[17,587,588],{},"Density：64% dense",[17,590,591],{},"Expression：24% expressive",[146,593,594],{"id":594},"参数配方",[14,596,597,600,603,606,609,612,615],{},[17,598,599],{},"冷白纸张与石墨色正文；",[17,601,602],{},"一个 slate blue（板岩蓝）强调色；",[17,604,605],{},"中性无衬线标题；",[17,607,608],{},"10.5–11 点、适合长时间阅读的衬线或人文无衬线正文；",[17,610,611],{},"十二栏网格和稳定表格节奏；",[17,613,614],{},"0–4 点圆角；",[17,616,617],{},"足以承受打印损耗的细线对比度。",[146,619,620],{"id":620},"组件规则",[14,622,623,626,629,632],{},[17,624,625],{},"执行摘要允许一个大数字，数据页不重复制造封面效果；",[17,627,628],{},"表格依靠对齐、间距与有限横线建立结构，不给每个单元格画框；",[17,630,631],{},"风险同时使用文字、符号和颜色，不能只依赖颜色；",[17,633,634],{},"页眉、页脚、章节和来源保持可预测。",[10,636,637],{},"Granite 现在已经可以测试。名字仍然容易记，却不再独自承担规格。",[43,639,641],{"id":640},"什么时候有用","什么时候有用？",[14,643,644,647,650,653,656],{},[17,645,646],{},"模板或 AI 系统要反复生成报告、提案、手册或学习材料；",[17,648,649],{},"设计师、作者、开发者和模型之间需要传递视觉意图；",[17,651,652],{},"同一品牌有多个文档类型；",[17,654,655],{},"评审经常使用“专业一点”“活泼一点”“高级一点”等模糊反馈；",[17,657,658],{},"主题需要被搜索、比较、版本化和测试。",[43,660,662],{"id":661},"什么时候太重","什么时候太重？",[14,664,665,668,671,674,677],{},[17,666,667],{},"一次性内部通知已经可以由默认模板清楚完成；",[17,669,670],{},"内容和证据尚未稳定，视觉分类为时过早；",[17,672,673],{},"没有人会复用或维护主题；",[17,675,676],{},"主要问题是内容错误或信息结构混乱；",[17,678,679],{},"成熟品牌系统已经定义了必要决定。",[43,681,682],{"id":682},"失败信号",[14,684,685,691,697,703,709,715],{},[17,686,687,690],{},[35,688,689],{},"只有诗意，没有规格："," 名字很好记，每次实现仍然靠猜。",[17,692,693,696],{},[35,694,695],{},"风格浓汤："," Swiss、温暖、粗野、奢华、极简和高密度同时出现，却没有优先级。",[17,698,699,702],{},[35,700,701],{},"风格先于任务："," 操作手册使用不可预测的杂志版式。",[17,704,705,708],{},[35,706,707],{},"参数表演："," 有数百个 token，却说不清读者任务和组件行为。",[17,710,711,714],{},[35,712,713],{},"名称漂移："," 不同团队用 Granite 指代完全不同的设计。",[17,716,717,720],{},[35,718,719],{},"用风格掩盖无障碍问题："," 低对比、小字或错误阅读顺序被辩护为某种美学。",[10,722,723],{},"视觉风格不能代替语义结构。可访问 PDF 还依赖标题、段落、列表、表格、阅读顺序和真实辅助技术测试。",[43,725,726],{"id":726},"看清概念邻居",[14,728,729,735,741,747,753,759],{},[17,730,731,734],{},[35,732,733],{},"Document purpose 描述读者需要的结果。"," 特定系统中存在正式信息类型；模拟器里的四种目的只是示例。",[17,736,737,740],{},[35,738,739],{},"Historical design tradition 指向历史来源。"," 它提供可追溯参考，却不是可以直接套用的主题。",[17,742,743,746],{},[35,744,745],{},"Design practice 描述专业领域。"," Editorial design、Information design 与 Technical communication 属于这一层。",[17,748,749,752],{},[35,750,751],{},"Theme 是命名实现。"," 它为某个产品或情境协调 Token 数值。",[17,754,755,758],{},[35,756,757],{},"Design token 是命名过的实现数据。"," 它用跨平台格式表达设计决策，却不会替团队选择策略。",[17,760,761,764],{},[35,762,763],{},"Components 与 patterns 把决策带入使用。"," 组件封装可复用部分，模式描述反复出现的解决方案与情境。",[43,766,767],{"id":767},"记住这六件事",[769,770,771,774,777,780,783,786],"ol",{},[17,772,773],{},"“文档视觉语言”是本文的工作性总称，并非正式标准。",[17,775,776],{},"先确定文档目的，再识别历史传统或设计实践，最后命名产品内主题。",[17,778,779],{},"把四条轴当作本站评审控制，不要当作标准化测量。",[17,781,782],{},"主题协调数值；设计 Token 命名并交换这些决策。",[17,784,785],{},"组件与模式让设计决策在反复出现的文档需要中保持一致。",[17,787,788],{},"风格永远不能代替内容结构、证据、语义与无障碍。",[43,790,791],{"id":791},"自测",[769,793,794,797,800,803,806,809],{},[17,795,796],{},"读者是在连续阅读、扫描证据、执行步骤，还是做决定？",[17,798,799],{},"当前标签是有出处的传统、已有设计实践，还是产品内部主题？",[17,801,802],{},"删除主题名以后，团队能否只凭 Token、组件、模式与规则重建它？",[17,804,805],{},"当有人说“更专业”时，具体应该移动哪条轴、改变哪些组件？",[17,807,808],{},"封面、叙事页和数据页之间，哪些规则必须稳定？",[17,810,811],{},"设计在打印、长时间阅读、低质量屏幕和辅助技术中是否仍然成立？",[43,813,814],{"id":814},"延伸阅读",[14,816,817,826,833,840,847,854,861,868,875],{},[17,818,819],{},[820,821,825],"a",{"href":822,"rel":823},"https://www.w3.org/community/reports/design-tokens/CG-FINAL-format-20251028/",[824],"nofollow","Design Tokens Community Group · Design Tokens Format Module 2025.10",[17,827,828],{},[820,829,832],{"href":830,"rel":831},"https://design-system.service.gov.uk/",[824],"GOV.UK Design System · Styles, components and patterns",[17,834,835],{},[820,836,839],{"href":837,"rel":838},"https://material-web.dev/theming/material-theming/",[824],"Material Web · Theming",[17,841,842],{},[820,843,846],{"href":844,"rel":845},"https://docs.oasis-open.org/dita/dita/v1.3/os/part1-base/archSpec/base/information-typing.html",[824],"OASIS DITA 1.3 · Information typing",[17,848,849],{},[820,850,853],{"href":851,"rel":852},"https://www.cooperhewitt.org/2018/08/05/aharmonyofcontrasts/",[824],"Cooper Hewitt · A Harmony of Contrasts",[17,855,856],{},[820,857,860],{"href":858,"rel":859},"https://www.moma.org/calendar/exhibitions/1013",[824],"Museum of Modern Art · The New Typography",[17,862,863],{},[820,864,867],{"href":865,"rel":866},"https://www.bauhaus.de/en/research/publications/bauhaus-typography/",[824],"Bauhaus-Archiv · Bauhaus Typography",[17,869,870],{},[820,871,874],{"href":872,"rel":873},"https://www.w3.org/TR/WCAG22/",[824],"World Wide Web Consortium · Web Content Accessibility Guidelines 2.2",[17,876,877],{},[820,878,881],{"href":879,"rel":880},"https://pdfa.org/resource/iso-14289-pdfua/",[824],"PDF Association · ISO 14289-1 / PDF/UA-1",{"title":883,"searchDepth":884,"depth":884,"links":885},"",2,[886,887,895,896,897,904,905,906,907,908,909,910],{"id":45,"depth":884,"text":45},{"id":141,"depth":884,"text":141,"children":888},[889,891,892,893,894],{"id":148,"depth":890,"text":149},3,{"id":158,"depth":890,"text":159},{"id":179,"depth":890,"text":180},{"id":186,"depth":890,"text":187},{"id":226,"depth":890,"text":227},{"id":256,"depth":884,"text":256},{"id":352,"depth":884,"text":352},{"id":514,"depth":884,"text":515,"children":898},[899,900,901,902,903],{"id":521,"depth":890,"text":521},{"id":532,"depth":890,"text":532},{"id":577,"depth":890,"text":577},{"id":594,"depth":890,"text":594},{"id":620,"depth":890,"text":620},{"id":640,"depth":884,"text":641},{"id":661,"depth":884,"text":662},{"id":682,"depth":884,"text":682},{"id":726,"depth":884,"text":726},{"id":767,"depth":884,"text":767},{"id":791,"depth":884,"text":791},{"id":814,"depth":884,"text":814},"/learn-img/document-visual-language/card-4x5.jpg","竖版 Working Vocabulary 封面，标题为 Document Visual Language，用相同项目简报对比温暖编辑式与冷静现代主义两种呈现，并以字体、间距和颜色 Token 连接。","2026-07-18","一套把文档意图翻译成主题、设计 Token、组件、模式与无障碍准则的工作模型。","文档设计","document-design","md",false,"Document Visual Language · 文档视觉语言","document-visual-language","growing","工作模型：主题为共享 Token 指定值；组件与模式把这些设计决策一致地应用出来。",{},true,[926,931,936,940,944,949],{"name":927,"fullName":928,"category":929,"summary":930},"Document Purpose","Document Purpose / Information Type · 文档目的 / 信息类型","内容意图","描述读者要得到的结果。DITA 的 concept、task、reference 是正式信息类型；模拟器使用的是更宽泛的实用示例。",{"name":932,"fullName":933,"category":934,"summary":935},"Design Tradition","Historical Design Tradition · 历史设计传统","历史来源","指向 International Typographic Style、New Typography 等有文献记录的运动或字体排印传统。",{"name":937,"fullName":938,"category":110,"summary":939},"Design Practice","Design Practice · 设计实践","使用 Editorial design、Information design、Technical communication 等已有专业领域。",{"name":572,"fullName":941,"category":942,"summary":943},"Design Theme · 设计主题","命名实现","为某个产品或情境中的共享设计角色指定一组协调数值。",{"name":945,"fullName":946,"category":947,"summary":948},"Design Tokens","Design Tokens · 设计令牌","实现数据","保存精确颜色、尺寸、字体角色和间距，但不会替团队决定文档策略。",{"name":950,"fullName":951,"category":952,"summary":953},"Components and Patterns","Components and Patterns · 组件与模式","可复用行为","组件封装可复用部分；模式说明怎样为反复出现的用户需要组合组件。",null,"/zh/learn/document-visual-language",{"title":5,"description":914},{"loc":955},"/learn-img/document-visual-language/og-1200x627.jpg","横版 Working Vocabulary 封面，标题为 Document Visual Language，用相同项目简报对比温暖编辑式与冷静现代主义两种呈现，并以字体、间距和颜色 Token 连接。",[961,962,963,964,965,966,967,968,971,974,975],{"title":825,"url":822},{"title":832,"url":830},{"title":839,"url":837},{"title":846,"url":844},{"title":853,"url":851},{"title":860,"url":858},{"title":867,"url":865},{"title":969,"url":970},"Victoria and Albert Museum · An introduction to Art Deco","https://www.vam.ac.uk/articles/an-introduction-to-art-deco",{"title":972,"url":973},"Victoria and Albert Museum · Art Nouveau — an international style","https://www.vam.ac.uk/articles/art-nouveau-an-international-style",{"title":874,"url":872},{"title":881,"url":879},"zh/learn/document-visual-language",[915,978,979,980],"字体排印","设计系统","设计令牌","2026-08-03","cC6dVY0KphLLBEn-30T4qS1P_60vQkhgfTm9lzjr_Nc",1788103959483]